Alan Collins - Director
Alan has worked at Ardmore Sound since 1997. Initially as an Engineer, then Facility Manager and in 2006 he became Managing Director.
Rachel Donovan - Facilities Manager
Rachel joined Ardmore Sound in 2001. Her role covers many areas including bookings, scheduling, administration and client hospitality.
Jean McGrath - Foley Mixer, ADR Recordist
Jean is an award winning Foley and ADR mixer. She studied Sound Engineering in London and has worked in film sound post production since joining Ardmore Sound in 1998. Jean has mixed Foley and ADR on many feature films and TV productions. Her credits include Peter Jackson's The Lovely Bones and The Hobbit, Lenny Abrahamson's Frank, Liv Ullman's Miss Julie and HBO's Game of Thrones: Season 1, which she won an MPSE Golden Reel Award for.
View full credits on IMDB.
Steve Fanagan, M.P.S.E. - Sound Designer, Sound Re-recording Mixer
Steve is an award winning sound designer, supervising sound editor and sound re-recording mixer. His work on 'Room' won him the 2016 IFTA for Best Sound and received nominations for the 2016 MPSE Golden Reel Awards, Hollywood Professional Association Awards and the International Sound+Music Awards. He was also nominated for an EMMY and won an MPSE Golden Reel Award for Sound Effects Editing (Game of Thrones: Season 1, 2012). He has also won IFTAs for his work on Albert Nobbs and Citadel. Recent credits include Room, The Hallow, Frank and Glassland.
Ken Galvin - Sound Re-recording Mixer, ADR Recordist
Ken is a re-recording mixer and ADR mixer. Since beginning to work in film and television sound in 1995, he has mixed a huge variety of award winning features, TV drama, documentaries, commercials and animation. Ken has been part of IFTA winning sound teams on 3 occasions (2005, 2007 and 2011). Recent projects include, Frank, Glassland and Patrick’s Day.
Garret Farrell - Sound Re-recording Mixer, ADR Recordist
Garret is an award winning re-recording mixer and ADR mixer. He has worked on many international, award winning feature films, television dramas, animations and documentaries. In 2013 he won an IFTA for Best Sound for his work on Citadel. Garret's most recent credits include Ripper Street: Season 2, The Summit, The Widower and Game of Thrones.
Niall Brady, M.P.S.E. - Sound Designer, Supervising Sound Editor
Niall has supervised and designed sound for many hours of film and television drama. He has been a member of sound teams that have won four IFTAs (Pure Mule, 2005, Albert Nobbs, 2012, Citadel, 2013, Room, 2016) and one MPSE Golden Reel Award for Sound Effects Editing (Game of Thrones: Season 1, 2012). Recent credits include Glassland, Frank, and The Widower.
Michelle Fingleton - Sound Designer, Supervising Sound Editor
Working since 2005 in sound for film, TV drama and animation, Michelle has been IFTA nominated for her work on Game of Thrones: Season 1 and continues to focus on sound effects design and project supervision in her work at Ardmore Sound. Recent credts include Moonfleet, Life of Crime, The Widower and Stella Days.
Caoimhe Doyle - Foley Artist
Caoimhe has worked at Ardmore Sound since 1996 and continues to work in Ireland and abroad as a Foley Artist. She has worked on a number of Hollywood movies including Knocked Up, Eastern Promises and The Men Who Stare at Goats. In 2011, Caoimhe was nominated for an EMMY Award, and won an MPSE Golden Reel Award, for her Foley work on Games of Thrones: Season 1.
Jorge Robles - Mix Technician, Engineering
After graduating with a diploma in Sound Engineering in 2013 Jorge became the newest member of the engineering team. He is based at Ardmore Sound.
Mark Fitzpatrick - ADR Recordist
Mark has been recording and mixing sound for many years. His experience covers all areas of post-production sound. Recent ADR credits include The Smurfs 2, Game of Thrones, and Ripper Street: Season 2.